You might set your cutoff points first and then animate things with the Intensity knob. Some of you might see it as a limitation, but it’s something that forces you to approach things differently. The filter bands are stepped and are not really meant to be automated (turning the knobs creates a short period of silence), so you can’t sweep them like on your standard synth. However, it’s not only the sound that’s unique.
It captures an extremely rare (up to a point of being unobtanium) filter created in the 1950s and used in the most famous electro-acoustic music studios of the time. While most filters on the market emulate three of the most popular synthesizer filters, Rysy takes a different approach.
